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[QUOTE="ouchdrummer:782598"][QUOTE="thuringwethil:782577"]I took Jazz Guitar for a few years from my instructor in Hanover when I was a teenager, then I was gonna audition for Berklee. I decided not to, and am glad I didn't. I was so into Slayer and Venom by then I feared they'd try to squeeze the metal out of me. the best way I learned guitar was playing along with Among the Living and Never Mind the Bollocks. I don't read music, and am not really concerned with theory nowadays. I just try to look for dissonance and weird voicings. [/QUOTE] playing with music is by far one of the best ways to learn, i learn how to play all the stuff i like on drums, and it translates into me writting like those bands.. IE: I learned a BUNCH of meshuggah songs, and wrote a part in (OUCH) that later was the main beat for the most recent single off of their new record. Swear to it, my bass player Narkybark played the song for me, and i was like "FUCK DUDE, THAT'S MY BEAT!?" and alas it was. And its not like meshuggah beats are real COMMON. So it really made our song sound like i ripped off theirs. Oh yeah, it's called bleed. With the Triplet, One pattern on the bass drum ( A 3 beat pattern), while the hi-hat is on the one of every four (slightly polymetric) and the snare on the third of every four. As far as theory: it can be really useful when you know what intervals will have the distinct sort of dissodance you want, or which pinches will scream the loudest together. Obviously you can do it by ear, and in the end you should always trust your ear, but theory can be used to help locate the right note relationships faster.[/QUOTE]
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