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SPAM Filter:
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(values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F)
you are quoting a heck of a lot there.
[QUOTE]blah blah blah[/QUOTE] to reply to TheAccursedDrummer.
Please remove excess text as not to re-post tons
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[QUOTE="TheAccursedDrummer:843463"]This is Joshtruction, I just did not want to log Chris off of here on his computer.... Shure Beta52 for kick Regular SM 57's for the toms and snares Cheapo overhead pencil condensors to get the cymbals and work the stereo imaging. Thats a cheap way to get decent results. here are a few more options... beta 52 kick (pretty much my go to kick mic) or Beta 91 (lays flat in the kick) In Dire Needs lost at sea album was done with just this mic if you want quality reference. 57 on the snare still Sennheiser MD421's on the toms (industry professional standard tom mic that really rips) Shure KSM109's (matched pair for over heads) great mic for the dollar. Mix and match any of those for a decent combo. Senn E604's work a lot like a 57. You can easily mix and match them. Spend a lot of time working on mic placement. Thats the most important thing. That and very strong over head tracks. The stereo imaging from them will play a major role in final production quality. If you want some mic techniques let me know and I will post up more shit. A better quality [/QUOTE]
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