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you are quoting a heck of a lot there.
[QUOTE]blah blah blah[/QUOTE] to reply to olsonuf.
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[QUOTE="olsonuf:939492"][QUOTE="BoarcorpseJimbo:939484"]That makes total sense. I've thought of doing something similar so we could totally control our mix. So let me ask you, I had always thought that i would give the FOH mixer just a left and right channel so it would be real hard for them to screw it up. What's the advantage to giving them the xlr snake?[/QUOTE] Mainly, the biggest advantage is not having to be the FOH engineer on top of being a band member and monitoring engineer. I do both of the latter for Todesbonden, and that's more than I'd really like to be responsible for...but if it's that or put our monitors in someone else's hands, I'll gladly take it. Plus, it would be very difficult, I would imagine, to gauge how we sound to the audience (as mixer) while standing on the stage (as performer). So I guess we sorta take a gamble by sending the FOH mixer all the individual channels. We just hope/assume that a venue will hire someone who knows how to work the sound system they invested the money to buy if they want repeat business and good word-of-mouth. :)[/QUOTE]
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