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(values are 0,1,2,3,4,5,6,7,8,9,A,B,C,D,E, or F)
you are quoting a heck of a lot there.
[QUOTE]blah blah blah[/QUOTE] to reply to ShadowSD.
Please remove excess text as not to re-post tons
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[QUOTE="ShadowSD:1103998"]I love busting this intro out on the delay pedals, one of my favorites. I don't see how Hammett's solos on the first five Metallica albums can get shit, they're as well-written as the parts they go with, Fade To Black being a notable example. Nobody ever said Hammett was Friedman technically speaking, but what matters with any lead ultimately is what it does for the song, and before the wah pedal ate his testicles Kirk was actually quite underrated. I agree that the key change near the beginning is ingenious. The reason it works is because the part in Bm ends on an F#m chord (F#, A, C#) when you factor in the F# in the lead, and the A is the note that's the common thread which binds it to the first chord in the next part, an F major (F, A, C) when you factor in the A in the lead. It's at that split second where there's a key change, and the song goes from an F# minor chord (roman numeral v in the key of Bm) to an F major chord (roman numeral VI in the key of Am).[/QUOTE]
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